A panel discussion with artists Clara Cheung, Iwan Wijono and Post-museum (Woon Tien Wei & Jennifer Teo) on art and activism in Asia, moderated by Dr. Wulan Dirgantoro, McKenzie Post-doctoral Fellow, University of Melbourne.
A panel discussion with artists Clara Cheung, Iwan Wijono and Post-museum (Woon Tien Wei & Jennifer Teo) on art and activism in Asia, moderated by Dr. Wulan Dirgantoro, McKenzie Post-doctoral Fellow, University of Melbourne.
I contributed a paper titled “Linguistic Entanglements: Placing belief in Suzann Victor’s Tintoretto’s Risen Christ, Arresting Lazy Susan (1996).”
I organised a 2-part panel with Katherine Bruhn titled “The Spiritual Foundations of Southeast Asian Arts.” This conference was cancelled due to COVID-19.
In this roundtable, I asked, with reference to Lee Wen’s Independent Archive and Boris Nieslony’s Die Schwarze Lade, whether or not we spend enough time thinking about what it means for artists to use archival or historical material.