I contributed a paper titled “Linguistic Entanglements: Placing belief in Suzann Victor’s Tintoretto’s Risen Christ, Arresting Lazy Susan (1996).”
I contributed a paper titled “Linguistic Entanglements: Placing belief in Suzann Victor’s Tintoretto’s Risen Christ, Arresting Lazy Susan (1996).”
I organised a 2-part panel with Katherine Bruhn titled “The Spiritual Foundations of Southeast Asian Arts.” This conference was cancelled due to COVID-19.
In this roundtable, I asked, with reference to Lee Wen’s Independent Archive and Boris Nieslony’s Die Schwarze Lade, whether or not we spend enough time thinking about what it means for artists to use archival or historical material.
I presented a paper titled “Without Body: Performing Suzann Victor” at In Dialogue: Gender + Art in Asia.