In this roundtable, I asked, with reference to Lee Wen’s Independent Archive and Boris Nieslony’s Die Schwarze Lade, whether or not we spend enough time thinking about what it means for artists to use archival or historical material.
In this roundtable, I asked, with reference to Lee Wen’s Independent Archive and Boris Nieslony’s Die Schwarze Lade, whether or not we spend enough time thinking about what it means for artists to use archival or historical material.
I presented a paper titled “Without Body: Performing Suzann Victor” at In Dialogue: Gender + Art in Asia.
I contributed a paper titled “Collecting Data in an Interview Resistant Field.”
I presented a paper titled “Art Writing on the Margins: The textual record in the Singapore context.”